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	<title>Comments on: Beyond Eden; Playhouse (Review)</title>
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	<link>http://vanmusicals.com/2010/01/27/beyond-eden-playhouse-review/</link>
	<description>A guide to all things musical-theatre in Vancouver</description>
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		<title>By: RB</title>
		<link>http://vanmusicals.com/2010/01/27/beyond-eden-playhouse-review/#comment-248</link>
		<dc:creator><![CDATA[RB]]></dc:creator>
		<pubDate>Thu, 28 Jan 2010 04:20:58 +0000</pubDate>
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		<description><![CDATA[I&#039;ve downloaded the song &quot;Beyond Eden&quot; from
the Calgary Theatre blog site and have listened to it 20 times at least.  If they had had a CD of the score at the opening night it would have sold out!   Everybody at opening night clapped when the set was  revealed, clapped after each song and gave a standing ovation at the end of the performance.   Wilson&#039;s interaction with his wife and son are a necessary part of the character development, showing the inner turmoil and angst, which when combined with  his growing
horror as he finally realizes what he has done, results in a near catotonic state of depression---sitting without motion clutching the two masks to his chest.  Without the wife and son interaction the character would have been less believable, not more.   In the song &quot;Beyond Eden&quot;  the phrase &quot;dance me to the border and I will cross over&quot; has  much meaning,  it is an example of the symbolism you can find throughout this work.  In later life Wilson Duff, who the Wilson character is fashioned after was  totally immersed  in the Haida thought-world 
and did cross over,  he committed suicide to go there,  after all he had been there forever.   Both sides of the central question are so well presented and no judgement is made.
On the one hand the beautiful Haida art is preserved and in the historical context may have resulted in Bill Reid almost single-handedly bringing  Haida culture to the forefront, where it is today. This side was presented very clearly. On the other hand who cares about future glory when your central beliefs and cultural truths are being brutalized.  The Watchman and the chorus presented this side beautifully and Wilson was caught in the middle.    The dialogue is necessary to develop this dilemma. If any had been omitted, this would have been weaker. In the end we are presented with the dilemma but not the solution.  The question remains unresolved as it truly is.]]></description>
		<content:encoded><![CDATA[<p>I&#8217;ve downloaded the song &#8220;Beyond Eden&#8221; from<br />
the Calgary Theatre blog site and have listened to it 20 times at least.  If they had had a CD of the score at the opening night it would have sold out!   Everybody at opening night clapped when the set was  revealed, clapped after each song and gave a standing ovation at the end of the performance.   Wilson&#8217;s interaction with his wife and son are a necessary part of the character development, showing the inner turmoil and angst, which when combined with  his growing<br />
horror as he finally realizes what he has done, results in a near catotonic state of depression&#8212;sitting without motion clutching the two masks to his chest.  Without the wife and son interaction the character would have been less believable, not more.   In the song &#8220;Beyond Eden&#8221;  the phrase &#8220;dance me to the border and I will cross over&#8221; has  much meaning,  it is an example of the symbolism you can find throughout this work.  In later life Wilson Duff, who the Wilson character is fashioned after was  totally immersed  in the Haida thought-world<br />
and did cross over,  he committed suicide to go there,  after all he had been there forever.   Both sides of the central question are so well presented and no judgement is made.<br />
On the one hand the beautiful Haida art is preserved and in the historical context may have resulted in Bill Reid almost single-handedly bringing  Haida culture to the forefront, where it is today. This side was presented very clearly. On the other hand who cares about future glory when your central beliefs and cultural truths are being brutalized.  The Watchman and the chorus presented this side beautifully and Wilson was caught in the middle.    The dialogue is necessary to develop this dilemma. If any had been omitted, this would have been weaker. In the end we are presented with the dilemma but not the solution.  The question remains unresolved as it truly is.</p>
]]></content:encoded>
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		<title>By: Nicky</title>
		<link>http://vanmusicals.com/2010/01/27/beyond-eden-playhouse-review/#comment-247</link>
		<dc:creator><![CDATA[Nicky]]></dc:creator>
		<pubDate>Thu, 28 Jan 2010 01:40:26 +0000</pubDate>
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		<description><![CDATA[Your crazy the  music and writing  is brilliant you obviously don&#039;t get it !!!]]></description>
		<content:encoded><![CDATA[<p>Your crazy the  music and writing  is brilliant you obviously don&#8217;t get it !!!</p>
]]></content:encoded>
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