Category Archives: SHINE: A Burlesque Musical

Saying goodbye to summer

Over the last month, there’s been so much theatre to see and so little time.  And now it all seems to be ending.  The cheeky SHINE: A Burlesque Musical finished its two-week run at the Waterfront Theatre on Granville Island last weekend and we also bade adieu to the toe-tapping Thoroughly Modern Millie and Annie at Theatre Under the Stars.

At the Arts Club, the Altar Boyz are spritzing their hair with product for the last time and at Pacific Theatre, the good folks from Not Another Musical Co-op are singing the last notes of Songs For A New World this weekend.     Across the water, at the Presentation House Theatre in North Vancouver, comes the final curtain call for the newest object of my affection, Fighting Chance’s Rent.

Fighting Chance Production's cast of Rent; Clockwise from top left, Craig Decarlo, Christine Quintana, Jacqueline Breakwell, Anton Lipovetsky, Nick Fontaine and Cesar Erba.

Fighting Chance Production's cast of Rent; Clockwise from top left, Craig Decarlo, Christine Quintana, Jacqueline Breakwell, Anton Lipovetsky, Nick Fontaine and Cesar Erba.

I have a rather shameful admission to make . . .  I’ve never been a giant Rent fan.  Nor a Rent fan of any other size, for that matter.  It stems from a certain stubbornness that I possess when it comes to being told what to do or what to like.  In fact, I have an aversion to jumping on to bandwagons of all kinds.  It’s that contrary quality that made me disregard the film version and pooh-pooh the various Rent soundtracks.

But now, I’ve drunk the Kool-aid and have been totally taken in by Rent.  I’ve seen it three times and would have seen it again, if it hadn’t kept selling out.

Which brings us back to the end of the summer season and the sudden onset of my musical-theatre withdrawal blues.  My current state of despair is somewhat tempered by the knowledge that the fall musical season will soon be upon us.  Though, truth be told, I’m not overly enthused by this.  I’ve seen all of these latest summer shows twice and sometimes more and they’ve become familiar, like friends.  And it’s so hard to say goodbye.

Advertisements

SHINE: A Burlesque Musical (Review)

SHINE: A Burlesque Musical is not so much a traditional musical as it is a bawdy version of TV’s old variety shows.  Think of a cross between burlesque and an adult-only Muppet show.  The show is a reworked version of an improvised one-act, originally known as By the Seat of Our Panties, presented at the Vancouver International Burlesque Festival in 2008.

The book by Sam Dulmage and The Wet Spots is thin, but works nevertheless.  Theatre owner Shine Mionne (Cass King) and her troupe of burlesque performers are approached by a producer who promises to revitalise the ailing show with buckets of money.  Various hijinks, gags, and word-play ensue.

shine-flare

Cass King as Shine Mionne in SHINE: A Burlesque Musical

The original music by first-time musical theatre writers the Wet Spots (John Woods and Cass King) has some bright spots and a tonne of potential, but isn’t given the full opportunity to shine as brightly as it should.

The female cast is full of incredibly strong personalities and they almost completely overwhelm the male contingent of the show. Michael Smith as wealthy producer Richard Suit is nowhere nearly up to the challenge of matching the stage presence or vocal abilities of his female co-stars.  Both of Smith’s songs, “When You Deal With A Suit” and “Matinee Crowd” fell unfortunate victim to his weak singing voice and weren’t given a fair airing.

The tempo of certain songs (“Everybody Wants to be A Star” and “Rocky Horror”) could also use some reworking to better steady the pace of the overall show.  There were too many slow numbers.  SHINE’s score would also be better served by the use of live music as opposed to the current pre-taped backing tracks.

None of these criticisms should take away from the overwhelming positives of SHINE.  I went in not knowing what to expect, but was completely won over.

Cass King is a natural performer and brings to life the “Perversions of Yesteryear.”  Her speaking delivery is peppered with shades of Katharine Hepburn and she periodically channels various other classic stars of the silver screen.

“Broadway Love Song” wryly spoofs a musical-theatre ballad and makes for a strong closer to the first act.

The chorus/ensemble comprised of Violet Femme, April O’Peel, Calamity Kate and Sister Madly, Keri Horton and Fairlith Harvey provide a rock-solid backing to SHINE; there’s not a single weak link in the bunch.  Choreography by April O’Peel and Melody Mangler is inspired and sinfully fun.

Gemma Isaac as an overeager grad student and Teddy Smooth as an aspiring young actor make wild and dirty magic in “The Nasty.”  Noelle Pilon as Lulu Von Doozy, the resident diva, is a force of nature and sells all of her numbers with relative ease.

SHINE is chockfull of clever moments and snappy dialogue; it will absolutely and thoroughly entertain you and leave you wanting more.

SHINE: A Burlesque Musical is presented by Screaming Chicken Theatrical Society and The Wet Spots and plays from August 12-22, 2009; Wed-Sat @ 8 PM, at the Waterfront Theatre, 1412 Cartwright St, Granville Island.  Tickets are available online or call 1-800-838-3006.  SHINE is an adult-oriented show which contains nudity and themes of healthy sexuality and is not suitable for those under the age of 18. Age restriction strictly enforced.

SHINE: A Burlesque Musical; Opening Week

SHINE: A Burlesque Musical bills itself as ‘a tassel-twirling original musical about an infamous burlesque theatre and the family of talented misfits who try to save it from demolition… or worse, respectability’.  SHINE is the brainchild of songwriting-duo The Wet Spots and burlesque group Screaming Chicken Theatrical Society.

Usually at this point, I’d give my critical pre-perspective, but honestly, I’m not sure what to expect.  I’m definitely looking forward to seeing it and will make sure to report back. SHINE promises to combine burlesque, cabaret, and variety with catchy songs, campy jokes and plenty of bump and grind (click here to view the YouTube trailer).  I’m intrigued to see what they will deliver.

shine poster_final

SHINE: A Burlesque Musical was written and created by Cass King, John Woods and Sam Dulmage. Directed by Jen Cressey with choreography by Lauren Allen (AKA April O’Peel) and Rebecca Franklin (AKA Melody Mangler).

SHINE: A Burlesque Musical plays from August 12-22, 2009; Wed-Sat @ 8 PM, at the Waterfront Theatre, 1412 Cartwright St, Granville Island.  Tickets are available online or call 1-800-838-3006.  SHINE is an adult-oriented show which contains nudity and themes of healthy sexuality and is not suitable for those under the age of 18. Age restriction strictly enforced.