Category Archives: Theatre News

Lion King cast members host benefit for local HIV/AIDS groups

Cast members from the touring production of the smash hit The Lion King are raising money for two local HIV/AIDS groups with the special one-night-only revue Le Jazz Hot.

Developed by Vancouver local and Broadway entertainer Ian Yuri Gardner, the show will feature Wendy Bollard and international and Broadway talent including Vusi Mhlongo, Kendra Moore, LaShonda Reese, Sophia Stephens, Omari Tau, Frank Wright II and other members of Disney’s The Lion King.

Le Jazz Hot will feature solo and ensemble music, dance and audience interactive numbers in a setting of a 1930s/40s speakeasy. Door prizes will include tickets to The Lion King at the Queen Elizabeth Theatre. Funds raised will benefit Youth Community Outreach AIDS Society and the National Congress of Black Women Foundation in Vancouver.

Youth Community Outreach AIDS Society is Canada’s first youth-driven organization leading the HIV and HepC movement through peer education, support, and shared leadership. YouthCO was formed in 1994 to address an identified need for youth-specific HIV/AIDS services and has been providing peer support and education throughout Vancouver and British Columbia, Canada.

The National Congress of Black Women Foundation is a registered charity that promotes and facilitates leadership development, cultural awareness, health and education programs for black women and their families through funding and research. The NCBWF works in partnership with other organizations and individuals who support the goals and objectives of reducing the spread of HIV/AIDS infection and enhancing the quality of life for people living with HIV/AIDS.

Disney’s The Lion King plays until August 8, 2010, at the Queen Elizabeth Theatre, 600 block Hamilton St, Vancouver.

Le Jazz Hot plays for one night only on Monday, July 26, 2010 at 7 pm at the Revue Stage, 1601 Johnston Street, Granville Island. Tickets are $30.00 and are available online or by calling 604-629-8849.

Disney’s The Lion King coming to Vancouver (Upcoming show)

Local Disney and musical-theatre fans alike will be ecstatic to hear that Tony Award-winning musical Disney’s The Lion King will finally be coming to the Vancouver stage in July, 2010.

Broadway Across Canada offerings have been relatively sparse in our city over the past few years and hopefully this announcement signals the beginning of a turnaround in the national touring productions that stop in Vancouver.

Based on the blockbuster 1994 animated film of the same name, The Lion King opened on Broadway in 1997 and promptly won a plethora of honours including six Tony Awards, eight Drama Desk Awards, six Outer Critics Circle Awards, the New York Drama Critics award for Best Musical, the Evening Standard Award for the Theatrical Event of the Year, two Olivier Awards, a Theatre World Award, the Astaire Award for Outstanding Choreography, two Drama League Awards and a Grammy Award for Best Musical Show Album.

Choreography is by Garth Fagan, scenic design by Richard Hudson, costume design by Julie Taymor, and lighting design by Donald Holder.  The Lion King features an adapted book by Roger Allers and Irene Mecchi and a score by Elton John, Tim Rice, Lebo M, Mark Mancina, Jay Rifkin, Julie Taymor and Hans Zimmer.

Broadway Across Canada presents Disney’s The Lion King from July13– August 8, 2010, at the Queen Elizabeth Theatre, 600 block Hamilton St, Vancouver. Ticket prices range from $26.50 to $98.50 and go on sale in March of 2010.

Evil Dead just won’t die

Evil Dead: The Musical didn’t get a glowing review from this critic but nevertheless is still going strong and has added another week to their already extended run, now ending November 21, 2009.

Evil Dead: The Musical, presented by Ground Zero Theatre, Hit & Myth Productions and Keystone now plays until November 21, 2009 at the Vogue Theatre, 918 Granville St.  Tickets are available online or by phone at 604-280-4444.

Tony winner Jason Robert Brown performing in Vancouver

I have some amazing breaking news for all Vancouver musical-theatre fans and performers.  Tony Award winning composer Jason Robert Brown (Parade, The Last Five Years) will be in attendance for the Friday, August 21st showing of Songs For A New World (click here for my review) at Pacific Theatre and will also be performing a post-show concert.

For Friday the 21st only, tickets will be $65 all-inclusive; don’t miss this once in a lifetime opportunity!

Impresario Drabinsky Sentenced to Seven Years; Out on Bail Pending Appeal

Former Livent head honcho Garth Drabinsky was finally sentenced today to seven years in jail after being convicted of fraud and forgery last March.

As I wrote a few weeks ago, Drabinsky has been alternatively sainted and damned by various circles of Canadian theatre society.

Former Livent Executive Garth Drabinsky

Former Livent Executive Garth Drabinsky.

Some Canadian media and bloggers had scoffed at the notion put forward by Drabinsky’s legal team that he should receive house arrest and perhaps lecture at universities as a form of community service.

Even after his name had been dragged through the mud for over a decade, Drabinsky was able to drum up some glowing character references from no less than Martha Henry, Christopher Plummer and E.L. Doctorow.

The criminal conviction will now likely be followed by multiple civil suits, so Drabinksy’s days in courts are far from over.  It probably also puts the final nail in the CBC reality show Triple Sensation which Drabinsky executive produced.

UPDATED, Thursday August 6, 2009 : Don’t expect Drabinsky and his co-convicted Myron Gottlieb to spend time behind bars anytime soon.  After spending the morning in a courthouse jail cell, they were released on bail by the afternoon, pending appeals of their convictions and sentences. The appeals could take as long as a year.

CBC’s Triple Sensation: Finale

Before the finale of CBC’s Triple Sensation, it seems a foregone conclusion that Leah Cogan will be crowned the winner.  As much as I’d like to lay claim to being prescient, all credit goes to the formulaic editing of the show that pretty much told the audience who was going to win back in week three.

There were some good performances out of the top six, and all the focus really was on the talent.  The personal interviews were kept to a bare minimum, and each finalist sang, danced and acted separately.

Excluding the personal stories and the offstage likeability of the performers made the show an entirely different creature.  It also helped me come to a more-or-less final conclusion as to my relative indifference to Leah Cogan.  She is most definitely a triple threat, but she isn’t suited for reality television.  With all of the personal distractions swept aside, she shone brightly in all three of her solo performances.

triple sensation1

Newfoundland’s Liam Tobin was the runner up and he completely won over the panel.  Tobin is all charm and smiles and his acting and singing weren’t too bad either.  He is definitely leading man material.

Cayley Thomas did a competent version of “A Quiet Thing” from Flora the Red Menace.  It wasn’t bad but it didn’t really stand out, especially in the face of such strong competition.

I was surprised that Kaitlyn Semple wasn’t in the top three.  Her “Cabaret” was sexy and confident, but not good enough apparently for the judges.

I really enjoyed David Light’s “Sara Lee” from Kander & Ebb’s And The World Goes Round.  He was funny in a way that we haven’t seen before and it made for a nice change of pace.

Hailey Gillis infused herself into “Maybe This Time” from Cabaret and you could feel her strength and determination.  I was a little put out by the judges’ comments that she wasn’t playing a character; she was just singing it as herself.  There was some truth to it though, but I still thought it was a personal high performance for her.

As I already predicted, Leah Cogan of Embrun, Ontario was declared the winner of the $150,000 scholarship and the Triple Sensation title.  And I’d say that she definitely earned it.  Whatever it is that you need to be a star, Cogan has it it spades.

That brings this season to a bittersweet end.  It seems unlikely that there will be a third season anytime soon.  This second season was already shot and finished last fall, but the airing was delayed until now.  With Executive Producer and marquee panel judge Garth Drabinsky already convicted of fraud in criminal court last spring, the future of Triple Sensation does not look bright.  Drabinksy’s sentencing has been delayed multiple times, but is currently scheduled to be handed down on August 5th.

Week 5: Workshop Presentation

Week 4: Master Class (part 2)

Week 3: Master Class

Week 2: Vancouver Auditions

Week 1: Eastern Auditions

Free New York Pops Download with Audra McDonald and Idina Menzel

Here’s a chance to legally download some free music to add to your musical collection. pic-fireworks-audra_mcdonald

(Via Broadway Musical Blog)

The New York Pops are providing a free download of the music from their 4th of July celebration, including “American River Suite,” which was composed by Stephen Flaherty (Ragtime, Once on This Island, Seussical) and performed by Tony Award winners Audra McDonald (110 in the Shade, Dreamgirls, Ragtime) and Idina Menzel (Wicked, Rent).

Audra McDonald is one of my all-time favourites and I love in her pretty much anything she does (we won’t mention Private Practice).  Presumably, this is a limited time offer, so download now.

Brief Update

My apologies for not staying on the ball with daily postings.  I do have a bunch of stuff to finish and post for you this week.  By tomorrow I should have reviews for both TUTS shows, Annie and Thoroughly Modern Millie, written and posted.  I also have an interview with Millie cast member Sarah Rodgers to put the final touches on.

As well, I interviewed the star of Piaf: Love Conquers All which plays next week  at the Firehall Arts Centre.   I’ll have more details on all of these shows in the respective reviews and postings as they’re put up.

Altar Boyz held over four more weeks; Les Misérables also extends four more shows.

I’m a huge fan of both Arts Club shows that  I’ve reviewed this summer.   Altar Boyz is a pop-heavy 90 minutes of non-stop laughs and fun and while the story of  Les Misérables is  dark and tragic, the individual and ensemble performances are excellent.  I’ve been urging you to catch them both before they close, and now there’s some good news for those who still haven’t had the chance.

actlogos

This summer’s Arts Club shows have been bringing in the crowds by the droves, and just last month Les Misérables at the Stanley Industrial Alliance was given a two-week extension until August 2nd to help accommodate their record-breaking sales.

Now the Altar Boyz, playing on the Granville Island Stage, are following suit with their own four-week holdover.  The Altar Boyz will now run until Saturday, August 29th.

Not to be outdone, Les Misérables has added another four performances to their already lengthened run.  The new additions are as follows:

Tuesday, August 4           7:30 pm

Wednesday, August 5    2 & 8 pm

Thursday, August 6         8 pm

The newly announced batch of tickets goes on sale at 10 am, Thursday, July 16th and can be purchased online or by by phone at 604-687-1644.

Impresario awaits sentencing, famous friends come to his defence

Garth Drabinsky and Myron Gottlieb’s two-day sentencing hearing ended Tuesday, with Justice Mary Lou Benotto scheduled to sentence on August 5th.

Drabinsky and Gottlieb were convicted of fraud and forgery in an Ontario court in March and have been awaiting their sentences both legal-wise and in the court of public opinion.

Garth Drabinsky

Former Livent executive, Garth Drabinsky

For anyone who wasn’t paying attention to professional musical theatre in Canada through most of the 90s, Drabinsky was the driving force behind the theatre production company Livent.  In its heyday, Livent produced multiple hit musicals and had its fingers in theatres in Toronto, Chicago, New York and Vancouver.

The 1995 construction of the then-Ford Centre for the Performing Arts in Vancouver was accompanied by a tidal wave of publicist-generated excitement.  Up until that point, our city had been temporary host to varying touring productions of Broadway shows, but the Ford Centre would ostensibly mean bigger-budget shows with longer runs that weren’t beholden to the economics and logistics of transporting sets.

I covered live theatre for a youth publication, at the time, and I reviewed most, if not all, of the Livent productions that came to town including Joseph, Phantom, Showboat and Sunset Boulevard.

The building formerly known as the Ford Centre for the Performing Arts, now just The Centre.

The building formerly known as the Ford Centre for the Performing Arts, now just The Centre in Vancouver.

That was before it all came crashing down. In August of 1998, Drabinsky and Gottlieb were forcibly removed from their offices and found themselves facing a $225 million lawsuit from Livent’s new management.

Out came the allegations of cooked-books, financial mismanagement, corporate theft, and fraud.  Gottlieb and Drabinsky were investigated by American and Canadian authorities and were eventually indicted in New York, although they never showed up in the U.S. court to face the music.

Now that the duo has been convicted in Canada and are awaiting sentencing, some notable artistic luminaries have come out to have their say as well.  For a man who, by all accounts, defrauded investors of half a billion dollars, Drabinsky seems to have no shortage of famous friends defending him

Several of those filed letters with the court in support of Drabinsky:

Actor Martha Henry, Companion of the Order of Canada, compares him to such figures as Orson Wells [sic], Donald Trump, Oscar Wilde, Harry Houdini and Conrad Black (perhaps some artistic foreshadowing?). [emphasis mine]

She continues, “I hope it’s possible to take into account Mr. Drabinsky’s very real strengths (how much poorer our mythology would be without him) and consider leniency in his sentencing.  Garth will, and should, live to flourish again.  And again, and again.  We look forward to reading about his next adventure and in many ways, we admire him and wish we all had some of his intelligence, his showmanship and his bold, risk-taking vision.”

Emmy and Tony award-winning Actor Christopher Plummer writes, “. . . [T]his is the only side of Drabinsky that I know – Garth the Optimist, the Achiever, who, lest we forget, has never ceased to stimulate the Arts and contribute to the culture of his own country with such ferocity and such conviction.”

Ragtime author E.L. Doctorow contributes, “There is a life history here of someone raising himself by his own bootstraps to the pinnacle of his profession.  That he has, after years of visionary theatrical entrepreneurship, come to this, I cannot view as anything less than a personal tragedy.”

Livent’s productions did often win critical acclaim and amassed 19 Tony awards.  And, despite the terrible things Drabinsky has been accused and convicted of, I’ll always be grateful for his support of Ragtime, one of the first musicals that really inspired my interest in the genre.

ragtime2

I’m not questioning Drabinsky’s influence on Canadian theatre and the arts, but he and some of his supporters seem to be living in a different world than the rest of us.  People were defrauded of hundreds of millions of dollars, countless jobs were lost and who really knows how many lives were ruined by this man’s actions.

But, you wouldn’t know that from the almost hagiographic letters of support filed with the judge.  Based on those, you could be forgiven for thinking he was up for another prestigious award.

While the new revival of Ragtime (unaffiliated with Drabinsky) on Broadway is cause for celebration, where Drabinsky will be hanging his hat on its opening night in November, is still up in the air, at least until the 5th of August.