Tag Archives: Brittany Scott

Smile; Awkward Stage (Upcoming show)

From the company that brought last year’s “Pick of the Fringe” 13, comes Smile, a musical and satirical take on teenage beauty pageants.  Awkward Stage Productions adds a new twist to this oft-forgotten 80s musical by using puppets to portray all of the adult characters alongside the human youth cast. The crew and musicians are youths too.

Stephanie Johannesen, Chelsea Powrie, Brenda, Erin Palm, and Jorgette Jorge in Awkward Stage's production of Smile.

Music by Marvin Hamlisch (A Chorus Line) and book and lyrics by Howard Ashman (Little Shop of Horrors). Directed by Cara Tench, Corwin Ferguson, and Andy Toth. Choreography by Cara Tench and musical direction by Andy Toth. Starring Julia DiSpirito, Rachael Harrison, Taylor Scott, Maiah Fujino, Katie Allinger, Brittany Gee-Moore, Jessica Wong, Paige Wise, Hailey Perkins, Isabella Halliday, Fanco Celli, Devon MacKinlay, Kai Bradbury, Kaitlyn Yott, Morgan Roff, Patrick Arnott, Jonathan Hers, Erin Palm, Chelsea Powrie, Stephanie Johannesen, Chelsey Yamasaki, Ashley Siddals, Jennifer Suttis, Lindsay Corbett, Erika Babbins, Rebecca Friessen, Brittany Scott, Neil Aspinall, Zach Wolfman, Myles McCarthy, Michelle Baynton, and Jan van Vianen.

Awkward Stage Productions presents Smile from September 8 – 18, 2011 at at the Firehall Arts Centre, 280 East Cordova Street, Vancouver. Tickets are available online or by phone at 604-637-6380.

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Annie; Gateway Theatre (Upcoming show)

Dancing orphans, stray dogs and a singing billionaire return to the Metro Vancouver stage once again as Gateway Theatre presents the family favourite Annie as their 2010 Christmas musical.

Michelle Creber in Gateway Theatre's Annie. Photo by David Cooper.

The musical marks a special anniversary for Gateway. “We’re celebrating 26 years at Gateway by producing Annie, the musical we started with,” says executive and artistic director Simon Johnston. “Annie’s irrepressible optimism and hope for the future is an important message for all of us.”

Book by Thomas Meehan (The Producers), music by Charles Strouse (Bye Bye Birdie), and lyrics by Martin Charnin. Directed by Johnna Wright, musical direction by Allen Stiles, choreography by Kennith Overbey, set design by Drew Facey, and costume design by Carmen Alatorre.

Starring Michelle Creber, Timothy E. Brummund, Nora McLellan, Matt Palmer, Barbara Tomasic and Pippa Mackie. Featuring Jessie Chan, Bridget Esler, Murielle Faifman, Maria Go, Kaila Kask, Aviva Knowles, Caroline Mawhinney, Fiona McIntyre, Laura Reynolds, Colette Richardson, Makena Zimmerman, Arne Larsen, Andrea Bailey, Matthew Beairsto, Vanessa Coley-Donohue, Andrew Cownden, Xavier de Salaberry, Jeff Deglow, Cameron Dunster, Brandyn Eddy, Madelyn Kriese, Stephanie Liatopolous, Brittany Scott, and Tamara Vishniakoff.

Gateway Theatre presents Annie from December 9 – 31, 2010, at the Gateway Theatre, 6500 Gilbert Road, Richmond.  Tickets are available online or by phone at 604-270-1812.

Joseph and the Amazing Technicolor Dreamcoat; TUTS (Upcoming show)

The third and final production of Joseph and the Amazing Technicolor Dreamcoat to hit Metro Vancouver this season, comes courtesy of Theatre Under the Stars.

The cast of TUTS' Joseph and the Amazing Technicolor Dreamcot

Music by Andrew Lloyd Webber (Phantom of the Opera, Cats), lyrics by Tim Rice (Evita, The Lion King). Directed by Shel Piercy (Thoroughly Modern Millie, TUTS), musical direction by Kevin Michael Cripps (Footloose, Exit 22), and choreographed by Keri Minty (A New Brain, Pipedream). Costume design by Chris Sinosich (Thoroughly Modern Millie, TUTS), lighting by Gerald King and video design by Tim Matheson. Co-starring Erik Ioannidis, Jaime Piercy, Brittany Scott, Alex Gullason, Caleb Di Pomponio, Dimitrios Stephanoy, DaeYoung Danny Kim, Ashley Gelhede, Aaron Lau, Benjamin Wardle, Amanda Testini, Friedrick Po, Amber Shikaze, Scott Heatcoat, Rachel Harrison, Camilo Dominguez, and Madeleine Suddaby.

Theatre Under the Stars presents Joseph and the Amazing Technicolor Dreamcoat on alternating nights from July 9 – August 20, 2010 at the Malkin Bowl in Stanley Park, Vancouver.  This year, all seats are reserved, eliminating the need to line up early. Tickets are available online or by calling 1-877-840-0457.

Footloose; Exit 22 (Review)

It was 30 years ago this past January that the junior and senior classes of an Oklahoman high school asked for permission to hold a prom.  The year was 1980 and in most places in America this wouldn’t have been an issue, but this was Elmore, a town that had outlawed public dancing since its founding almost a century earlier.

At the time, a local Pentecostal preacher was quoted in People magazine as saying that “no good has ever come from a dance.”  Another resident forecast a surge in teenage pregnancies, “because when boys and girls breathe in each other’s ears, that’s the next step.”

With those dire warnings about the slippery slope of dance freshly planted in my head, I sat in the audience at the Performance Arts Theatre at Capilano University, awaiting the opening bars of Exit 22’s production of Footloose.

The show begins with Chicago teen Ren McCormack (Nolan Wilson) and his mother Ethel (Emily Fraser) moving to the rural Texas town of Bomont, after Ren’s father leaves his family ‘to find himself.’  Ren has difficulty adapting to small-town life and the town has similar trouble adapting to him.  He soon discovers that Bomont, under the direction of Rev. Shaw Moore (Sean Parsons), has banned all dancing within city limits.  It’s left to Ren and his friends to try and help a town move on from a tragic past.

Footloose was adapted in 1998 as a stage musical from the 1984 film of the same name, which in turn was loosely based on the real-life events in Elmore, OK.  The musical was only a moderate success, but has taken on a healthy second life through high school and college productions.  Most recently, there were plans to make a film version of the musical starring Zac Efron, but that project appears to be dead in the water.

That film’s producers have apparently had second thoughts, and I soon found out why: the stage musical itself is a complete wash.  Maybe those naysaying dance prohibitionists were onto something afterall.  It is not an exaggeration to say that it seems unlikely that there is anyone who could spin gold from the dross that is Footloose.

The dialogue is trite and patronising, and the majority of the adult characters are shallow and unlikeable.  Despite the inherent limitations of the material, the all-student cast does an admirable job of salvaging what they can.  The onstage talent is evident, even if it is repeatedly eclipsed by the abysmal script.

Jak Barradell (Altar Boyz, White Christmas) as Ren’s best friend Willard is a tumbling and dancing machine.  Brittany Scott as Willard’s love interest Rusty, belts a spirited rendition of “Let’s Hear it For The Boy.”  Other notable cast members to look out for in the future include Kathy Fitzpatrick, Allison Fligg, and Morgan Dunne.

Promising actor Sean Parsons’ (Rent) portrayal of Rev. Moore doesn’t quite ring true.  The good reverend is frustrated with his daughter Ariel’s (Megan Bayliss) rebellious ways throughout the show but for the most part does little more than shake his head disappointedly at her antics.  When he finally hits her in a moment of anger, it comes without warning and with little explanation.

Not too long after that, Ariel sports a black eye courtesy of her dropout ex-boyfriend Chuck Cranston played to a sleazy tee by Victor Hunter. Neither of these incidents receives a satisfactory resolution nor are they addressed further.

When Ariel reveals what is supposed to be a big secret to Ren, I doubt there was a single person in the audience who hadn’t already figured it out.

That is the heart of the problem with this musical: there is no dramatic tension, no surprises.  There are lots of little scenes and lots of movement, but we are given few chances and even less reason to care about the characters.  The show is also hampered by director Gillian Barber’s unfocused staging, which is quite literally all over the place.

The energetic dancing and vocals showcase a wealth of potential and the youthful cast gives it their all, but there isn’t enough talent in the world to overcome this lame duck of a show.

Exit 22 presents Footloose until Apr 3, 2010 in the Performing Arts Theatre at Capilano University, 2055 Purcell Way, North Vancouver, in the Birch Building. For more information, or to buy tickets, phone 604-990-7810 or email boxoffice@capilanou.ca.