Category Archives: Musical Theatre

Impresario awaits sentencing, famous friends come to his defence

Garth Drabinsky and Myron Gottlieb’s two-day sentencing hearing ended Tuesday, with Justice Mary Lou Benotto scheduled to sentence on August 5th.

Drabinsky and Gottlieb were convicted of fraud and forgery in an Ontario court in March and have been awaiting their sentences both legal-wise and in the court of public opinion.

Garth Drabinsky

Former Livent executive, Garth Drabinsky

For anyone who wasn’t paying attention to professional musical theatre in Canada through most of the 90s, Drabinsky was the driving force behind the theatre production company Livent.  In its heyday, Livent produced multiple hit musicals and had its fingers in theatres in Toronto, Chicago, New York and Vancouver.

The 1995 construction of the then-Ford Centre for the Performing Arts in Vancouver was accompanied by a tidal wave of publicist-generated excitement.  Up until that point, our city had been temporary host to varying touring productions of Broadway shows, but the Ford Centre would ostensibly mean bigger-budget shows with longer runs that weren’t beholden to the economics and logistics of transporting sets.

I covered live theatre for a youth publication, at the time, and I reviewed most, if not all, of the Livent productions that came to town including Joseph, Phantom, Showboat and Sunset Boulevard.

The building formerly known as the Ford Centre for the Performing Arts, now just The Centre.

The building formerly known as the Ford Centre for the Performing Arts, now just The Centre in Vancouver.

That was before it all came crashing down. In August of 1998, Drabinsky and Gottlieb were forcibly removed from their offices and found themselves facing a $225 million lawsuit from Livent’s new management.

Out came the allegations of cooked-books, financial mismanagement, corporate theft, and fraud.  Gottlieb and Drabinsky were investigated by American and Canadian authorities and were eventually indicted in New York, although they never showed up in the U.S. court to face the music.

Now that the duo has been convicted in Canada and are awaiting sentencing, some notable artistic luminaries have come out to have their say as well.  For a man who, by all accounts, defrauded investors of half a billion dollars, Drabinsky seems to have no shortage of famous friends defending him

Several of those filed letters with the court in support of Drabinsky:

Actor Martha Henry, Companion of the Order of Canada, compares him to such figures as Orson Wells [sic], Donald Trump, Oscar Wilde, Harry Houdini and Conrad Black (perhaps some artistic foreshadowing?). [emphasis mine]

She continues, “I hope it’s possible to take into account Mr. Drabinsky’s very real strengths (how much poorer our mythology would be without him) and consider leniency in his sentencing.  Garth will, and should, live to flourish again.  And again, and again.  We look forward to reading about his next adventure and in many ways, we admire him and wish we all had some of his intelligence, his showmanship and his bold, risk-taking vision.”

Emmy and Tony award-winning Actor Christopher Plummer writes, “. . . [T]his is the only side of Drabinsky that I know – Garth the Optimist, the Achiever, who, lest we forget, has never ceased to stimulate the Arts and contribute to the culture of his own country with such ferocity and such conviction.”

Ragtime author E.L. Doctorow contributes, “There is a life history here of someone raising himself by his own bootstraps to the pinnacle of his profession.  That he has, after years of visionary theatrical entrepreneurship, come to this, I cannot view as anything less than a personal tragedy.”

Livent’s productions did often win critical acclaim and amassed 19 Tony awards.  And, despite the terrible things Drabinsky has been accused and convicted of, I’ll always be grateful for his support of Ragtime, one of the first musicals that really inspired my interest in the genre.

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I’m not questioning Drabinsky’s influence on Canadian theatre and the arts, but he and some of his supporters seem to be living in a different world than the rest of us.  People were defrauded of hundreds of millions of dollars, countless jobs were lost and who really knows how many lives were ruined by this man’s actions.

But, you wouldn’t know that from the almost hagiographic letters of support filed with the judge.  Based on those, you could be forgiven for thinking he was up for another prestigious award.

While the new revival of Ragtime (unaffiliated with Drabinsky) on Broadway is cause for celebration, where Drabinsky will be hanging his hat on its opening night in November, is still up in the air, at least until the 5th of August.

CBC’s Triple Sensation: Master Class

In a total surprise (at least to me), Vancouver actor Andrew Cohen was one of the first eliminated from the top 12 on Monday night’s episode of CBC’s Triple Sensation.

After being coached by the likes of Stratford Director/Choreographer Donna Feore and celebrity Acting Coach Patsy Rodenburg, Cohen and Wylmari Myburgh were the first to leave the competition.

Judging based solely on editing and who was heavily featured on last night’s show, it seems that Glen Mills, David Light and Leah Cogan are the favourites to win.  Light was an early standout, and Mill’s emotional performance of “Soliloquy” (Carousel)  made him a powerful contender.   However, Cogan’s top ranking both at midpoint and at the episode’s conclusion, puzzled me.

triple sensation2

Cogan is clearly talented, but whenever a coach/judge pointed out something masterful that she had accomplished, I didn’t see it.  Perhaps it can be chalked up to something lost in translation between live in person to television.  I found so many of the other performers to be far more compelling, albeit in heavily-edited minute-long clips.

That leaves only Burnaby resident Alyssa Brizzi representing BC in the run for the $150,000 first prize scholarship and the Triple Sensation title.

Cohen has already moved on from the experience having recently starred as leading man Gordon in A New Brain (Pipedream) and is currently studying at UBC in the BFA acting program.

Master class continues on Triple Sensation next week in part four of six, Mondays on CBC, through July 27th.

Altar Boyz (Updated Review)

I know that I’d promised you my updated take on Altar Boyz last week, but I didn’t get a chance to see it again at the Granville Island Stage until this weekend.

The show has definitely accrued more polish, since when I first saw it in previews.  My original concern about missed comedic timing and line deliveries has been completely rectified.

All of the actors have settled comfortably into their roles, and are pitch-perfect, dancing machines.

David Hurwitz plays it up for laughs as the closeted Catholic Mark and balances the fine line between character and caricature.  I’m rarely comfortable with the fallback of using gays or other minorities as comic relief, but Hurwitz carries it off smoothly.  Hurwitz’s “Epiphany” had the audience cheering and I especially appreciated his over the top boy band style riffs.

The original cast of the Arts Club Theatre Company’s production of Altar Boyz. Photo by David Cooper.

The original cast of the Arts Club Theatre Company’s production of Altar Boyz. Photo by David Cooper.

Jeremy Crittenden (Matthew), Jak Barradell (Luke), and Geoff Stevens (Abraham) each have multiple shining moments.  Crittenden has the classic boy band idol look and plenty of onstage charisma to back it up.  His rendition of “Something About You” is a guaranteed charmer.

Barradell gives a solid performance and really shows off in his solo in “Body, Mind & Soul!”

Stevens’ “I Believe” solo is crystal clear in its simple melody and sets the stage for the inevitable happy ending.

Originally I highlighted Vincent Tong, and once again I have nothing but praise for his performance as Juan.  “La Vida Eternal” both pokes fun at the short-lived Ricky Martin and Enrique Iglesias Latin music trend and shows off Tong’s vocals and strong dance moves.

Whether you loved them or hated them, 90s boy bands were ubiquitous for a reason.  Yes, they were attractive to the tween and teen set and their in-formation dance steps set many a straight female and gay male fan heart aflutter.  But the icing on the carefully pre-packaged cake was the infectious music and the catchy hooks.

If comparing the Altar Boyz as a musical against standard Broadway (classic or modern), the show doesn’t really have a prayer.  No one’s going to mistake the score for Sondheim.  But as a spoof of the boy band phenomenon, the score achieves the intent of composers Gary Adler and Michael Patrick Walker.  Adler and Walker have crafted a score that could have easily topped the pop charts a decade ago (minus the humor-laden lyrics).

In that regard Altar Boyz hits its mark.  The songs seem to be staying with me, whether I want them to or not.

The show’s book is practically non-existent; a Christian boy band attempting to cleanse the souls of every audience member before their concert is done.  The barely-there plot really doesn’t matter though, as the show consistently entertains with strong laughs, high energy vocals and  smooth dance moves.

A big part of the show’s success should be attributed to the four-piece band under Musical Director Sasha Niechoda.  Much of the show’s energy comes directly from the live music.

Sara-Jeanne Hosie’s choreography is even sharper than before if possible.  There’s really no excuse to miss this show, if you haven’t already seen it.  The Arts Club has set itself a high bar to pass for next season’s musicals.  But, if past experience is any indication, they’ll do it with flying colours.

Running at 90 minutes with no intermission, Altar Boyz runs until August 1st at the Granville Island Stage (1585 Johnston Street) in Vancouver.

Theatre Under the Stars: Summer of ’09

July is already upon us, which means that it’s only a little over a week before Theatre Under the Stars begins previews of its 2009 season.

TUTS has made some shrewd choices this year with a duo of family-friendly shows; classic crowd-pleaser Annie and the relatively new but very popular Thoroughly Modern Millie.  I’ll be posting further about both shows in the days leading up to the opening nights.

TUTS has been a summer Vancouver tradition at the Malkin Bowl in Stanley Park since the 1940s with only a few interruptions.  Most recently TUTS took a hiatus in 2006 after running into financial difficulties.  It was widely speculated that the two lesser-known shows staged in 2005, Big: the musical and Can-Can, failed to draw in ticket-buying audiences.

For the last two years, TUTS has safely steered towards popular and time-tested fare; Grease and Oklahoma in 2007, and Jesus Christ Superstar and Annie Get Your Gun in 2008.

Michelle Creber and Max in the TUTS production Annie. Photo by Tim Matheson.

Michelle Creber and Max in the TUTS production Annie. Photo by Tim Matheson.

Michelle Creber plays the redheaded optimistic orphan Annie alongside a slew of Vancouver stage veterans. David Adams stars as Oliver Warbucks, Colleen Winton (2008 Ovation award winner for Musical of Musicals the Musical, Fighting Chances), as Miss Hannigan, and Todd Talbot (It’s A Wonderful Life, Arts Club) as Rooster Hannigan.  Former Vancouver Playhouse artistic director Glynis Leyshon directs.

Thoroughly Modern Millie stars Broadway actress Diana Kaarina (Rent, Les Misérables) as the titular character who, in the modern tradition, moves to the big city with plans to marry not for love but for money.  The role should be somewhat old hat for Kaarina, as she previously played the role in the touring company of Millie.  Directed by Shel Piercy, the cast also includes Meghan Anderssen (Annie Get Your Gun, TUTS), Danny Balkwill (We Will Rock You, Mirvish), and Sarah Rodgers.

Previews July 10-13.  Shows play alternating nights with Annie opening July 14th through August 21st and Thoroughly Modern Millie opening July 15th through August 22nd.  Tickets available online or by calling 604-684-2787.

Arts Club Update: Les Mis & Altar Boyz

Last week, the Arts Club announced a two-week extension to their run of Les Misérables, now ending August 2nd.

According to the Arts Club blog, it is now the highest-selling production in their 46 year history, even besting perennial favourite and previous record-holder Beauty and the Beast.

  	 Jeffrey Victor in the Arts Club Theatre Company’s production of Les Misérables. Photo by David Cooper.

Jeffrey Victor in the Arts Club Theatre Company’s production of Les Misérables. Photo by David Cooper.

I hadn’t planned on reviewing Les Misérables for Musicals in Vancouver, largely because it opened a month before this blog even started. That’s not to say that I haven’t seen it, nor to say that I don’t harbour any strong opinions about this production or about Les Mis in general.

I’m hoping to take in another performance between now and early next week, for two reasons.  (1) I saw it in previews, and (2) I didn’t take notes and my memory isn’t what it used to be.  Scratch that, make it three reasons. (3) I’m happy for the excuse to catch Les Misérables again.

It’s also on my to-do list to catch Altar Boyz again, outside of previews.  The first time was near-perfect, and I’m anxious to see the differences a week can make.  I should have reviews and updates on both shows up by next week.  Until then, if you haven’t seen Les Mis or Altar Boyz, get your tickets fast.  You really can’t go wrong with either show.

Altar Boyz plays until August 1st at the Granville Island Stage (1585 Johnston Street).

Les Misérables runs through August 2nd at the Stanley Industrial Alliance Stage (2750 Granville Street).

CBC’s Triple Sensation: Season Two

Musical theatre and reality television are not always a winning combination (think NBC shudder-fest Grease: You’re The One That I Want).

triple sensation

I was, however, glued to the 2007 season of CBC’s Triple Sensation.  The reality show has performers, aged 16-26, vying for the title and a $150,000 scholarship towards the theatre school of the winner’s choice.  The finalists are put through their paces in a weeks-long master class that spans everything from musical theatre to Shakespeare to clowning.

The first season boasted two young BC talents among the 12 finalists, Port Coquitlam’s Joel Ballard (Jesus Christ Superstar, TUTS) and Delta’s Kazumi Evans (West Side Story, RCMT).

There has been a lot of mixed reaction to Triple Sensation, much of it circling around the involvement of producer and former Livent impresario Garth Drabinsky (Ragtime, Show Boat).  Drabinsky, who has been under a perpetual cloud of legal troubles since Livent went bankrupt in 1998, was convicted this March of fraud and forgery in Ontario and is currently awaiting a July sentencing.

This second season has already been filmed, so the show will go on, regardless if one of its judges ends up behind bars.

Along with Drabinsky, the judge’s panel includes actor Cynthia Dale (TV’s Street Legal), composer Marvin Hamlisch (A Chorus Line), choreographer Sergio Trujillo (Jersey Boys), and director Adrian Noble (Royal Shakespeare Company).

Triple Sensation returns for a second season, Monday, June 22, with the first round of auditions taking place in Toronto.  Make sure to pay special attention to next week’s Vancouver audition episode.

Triple Sensation airs in six parts, Mondays on CBC, through July 27th.

Catch Me If You Can: Seattle Premiere

New York and Broadway aren’t exactly within spitting distance of our humble city, and it can take years for some of the newer productions to make their way to Vancouver.  There are a few exceptions.

Somewhat a little closer, our neighbours to the south in Seattle at 5th Avenue Theatre have played host to some memorable pre-Broadway world premieres over the years including Jekyll & Hyde, Hairspray, The Wedding Singer, and Shrek the Musical.

catchmeifyoucanimg01

Head to Seattle and from July 23 through August 16, you can sneak a peek at the new musical version of Catch Me If You Can. Based on the 2002 film of the same name, it’s the story of youthful conman Frank Abagnale, who stole millions while posing as a doctor, pilot and lawyer. With music and lyrics by Marc Shaiman and Scott Wittman (Hairspray), book by Terrence McNally (Kiss of the Spider Woman, Ragtime) and choreography by Jerry Mitchell (The Full Monty, Legally Blonde: The Musical), it could easily soon be a bona fide Broadway hit.

Currently the show is set to star Tony Award winner Norbert Leo Butz (Dirty Rotten Scoundrels) as FBI agent Carl Hanratty, Aaron Tveit (Next to Normal) as Frank, Tom Wopat (Annie Get Your Gun) as Frank Sr., and Kerry Butler (Xanadu) as Brenda.

YouTube has a couple of clips from a preview of the show.  Catch them while they’re still up:

Aaron Tveit as Frank Abagnale Jr.

Aaron Tveit and Tom Wopat as Frank Abagnale Jr. and Sr.

Admittedly, some of these ‘pre-Broadway’ runs don’t ever make it to Broadway, and often lyrics, songs and plots will be rewritten or totally scrapped after you’ve come and gone.  But it can still be a great opportunity to see amazing Broadway talent without catching a plane to NYC.

Altar Boyz Preview (Review)

The Arts Club has been right on the mark with their musical productions this season, and Altar Boyz is no exception.  Previews began tonight and continue until opening night on June 24th.

The original cast of the Arts Club Theatre Company’s production of Altar Boyz. Photo by David Cooper.

The original cast of the Arts Club Theatre Company’s production of Altar Boyz. Photo by David Cooper.

I wasn’t familiar with the show before tonight but was quickly taken in by the clever spoofing of boy bands and Christian music. The plot does play a little thin at times but the enthusiastic audience was far too busy laughing to notice.

Matthew (Jeremy Crittenden), Mark (David Hurwitz), Luke (Jak Barradell), Juan (Vincent Tong), and Abraham (Geoff Stevens) dance and sing as a well-oiled machine with a mission to save souls.  Commanded by the Lord to gel their hair with product and gird their loins with pleather lest they skew to the detestable older demographic, the Altar Boyz are on the final show of their “Raise the Praise” concert tour.

The entire quintet of actors shines in each of their respective roles as teen heartthrobs, but I have to single out Tong for his acrobatics, both literal and vocal.  He was also extremely memorable last Christmas as LeFou in Beauty and the Beast (Arts Club).

Choreographer Sara-Jeanne Hosie (currently playing Fantine in Les Misérables) pays homage to the most memorable of cheesy boy band dance moves.  The Boyz’ dancing is crisp, clean and often downright hilarious.

I have to confess that I attended several boy band concerts in the late 90s, and I saw more than a few evocations of classic Backstreet Boys and *NSync steps on the Granville Island stage tonight.

Some of the lines delivered could use a little tightening, but the preview performance was divine and hopefully I’ll be back after the opening to see how the show improves.  It’s looking like Director Bill Millerd is going to have yet another hit on his hands.

Running at 90 minutes with no intermission, Altar Boyz runs until August 1st at the Granville Island Stage (1585 Johnston Street).